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MAX ERNST,

"What courage and spirit are what have to be liked, like you, of all pleasures! Only the man of genius is reserved to break all the fetters of ignorance and stupidity. "Says Madame de Saint-Ange in Philosophy Dresser the Marquis de Sade while Dolmance buggers presence as a young girl to teach the real mysteries of the orgasm.

In the collection of Max Ernst collages he made for surreal graphic novel A Week of Kindness, Une Semaine Bonta, development scene is divided into seven days and capital items relating the creation of the world with the creation of the passions. I feel, therefore I am. Awareness is through the emotions they can arouse possession. He who possesses it is. And being possessed becomes fellatio. For the character of Sade, Dolmance, the teaching of debauchery is divided into: universal sodomy, images and tastes sacrilegious cruel, passive and active version, this may be the synopsis of the 184 collages A Week Goodness .

hallucinations and delusions without prejudice, where ecstasy is expulsion of fluids that fill rooms, docks and houses, in which the characters float, measuring his passion to reach their ejaculation level, the skies are vulvas voracious swallow centrifugal whirling young beautiful round breasts, black veils matchmaking and elegant types. The Marquis de Sade was an icon of surrealism, the poet Paul Eluard reported: "For having wanted to civilized man the strength of his primitive instincts, for wanting to liberate the imagination of love, and for having fought desperately for justice, and absolute equality, Sade was imprisoned most of his life in the Bastille, Vincennes, and Charenton. "

Murder, torture, bestiality, lying, ghoulish games and no difference between good and evil, make collages become illustrations of basic principles of philosophy de Sade. Scenes that recreate the challenges of Erotic 120 Days: A young woman naked in a mausoleum to be possessed by men with heads of roosters, while another hoped his participation in the orgy in a coffin. Azul in the series of element blood, the protagonist of the story is Oedipus, and focuses on the intrigue of the characters and murder. Women played with nests full of eggs and bird-men. The mother who haunts, has, viola, swallows, which invites to a amasiato Maternity and murderer who blind man is liberated. "What relationship is there between that which has brought me into the world and me?" Question Sade. Oedipus himself was able to look far to put out the eyes.

"The sincere person fails in the midst of a society of false, it is necessary to lie to achieve a little happiness," says the Divine Marquis Ernst and characters with black wings whisper, conspire, in the midst of bourgeois salons sodomize a servant and molluscs ladies weave their adventures in intimacy accomplice. The death-winged demonic mother says goodbye to his son with a kiss and delivers it to a surgeon, a man with bird-head shell fornicates a woman, fetish, whips, dragons as pets faithful men with lion heads seduce young women who show their breasts complacent.

Sade The pleasure is for the door of knowledge, ignorance seizes who know nothing of their emotions, desires and satisfying way. A Week of Kindness was made during a stay in Italy Ernst, obsessive work carried out in only 3 weeks of cutting, tinkering with pumilla and to establish the narrative. These films made with engraved serial romances of nineteenth-century anatomy books, poems of Milton illustrated by Doré, among others, show that the chaos of the true orgies implacable order, as established by Sade in their rules for 120 Days . In pleasure there is no coincidence, everything has been planned, calculated, as in these collages, degenerated by decision.

Posted October 23, 2010 in the cultural supplement Labyrinth Milenio Diario.

Collage of the graphic novel by Max Ernst, A Week of Kindness, Une Semaine de Bont.

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Salvador grows and growth. Already 6 months old and had been unable to upload anything. My puppy is wonderful every day, you begin to feel lonely, papapapapa says, sucking her finger and sometimes the tongue, sleeping little calm to the nine pm and at 7 a.m. as milk is asking died of laughter. It's just a charm ...

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... and the discovery last month: the bubbles.

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SADE ONE WEEK THE BIG SALE OF LEHMAN BROTHERS ANITA BERBER

Demian Hirst, Ceramic Gabinet .

After the bankruptcy of Lehman Brothers collapse will send the global economy and it was known for outrageous salaries they earned their executives, while playing roulette with money Thousands of people are now selling his art collection to recover capital. This collection is part of a corporate trust the Neuberger Berman and Lehman Brothers Corporate Art Collection. is not really clear why sell it, because against the lost money this represents a fraction of the capital, but for our analysis on the art market is something relevant to appreciate. This collection offices set with pieces that talk about the status of financial corporate wealth, and artists took over mid-career contemporary art and some consecrated. Indeed, employees who were fired were surprised to say that this was hanging all over to see him, it was not, was actually in the offices of top executives.

The auction of the first part of the lot was in Sotheby's a year ago and left the most important pieces of the collection: Lichtenstein , Warhol, Jasper Jones and now this is the second auction of three. With the second sale out parts are just minor and artists who grew up in this bubble economy and lack of artistic value as well as Lehman's investments Brothers were a fraud. The collection, despite being corporate, is headed by the taste of a man, Neuberger Berman, a compulsive collector of contemporary art and with his constant purchases and donations made the price of this art shot. In this set, which estimated to reach 10 million dollars, the truth is not, therefore, is a cabinet of Demian Hirst with ceramic dishes he bought at a flea market and his employees painted, it goes to $ 800 000; Felix Gonzales Torres things, the installation of candy reached $ 250 000 by this corporation; Vick Muniz and his work with expiration dates because they are candy and similar materials, Takashi Murakami, which is actually designer bags and toys, not an artist. This auction shows how these artists rose to a position of power and price for the buying group.

I also replicated among employees of corporate VIP, imitating the likes of the bosses and acquiring the pieces they chose to show that had a high purchasing power and something very peculiar, that had entered the office of presidency. This may seem exaggerated, but it was so, the pressure to stay in power is to exhibit its rewards and one of them is to know intimately the habits of the powerful.

This chain of absurd claims, which collapsed with the failure of corporate financial scandal, he had an artistic current price climb without merit. These works go on sale as the end of an era. Only some of them are redeemable in this collection: a lithograph by Gerhard Richter, and a painting by Neo Rauch, beyond that, is the epitome of how financial abuse drag on his speculation that art and ethics and honest perspective of museums and galleries.

Published in The Weekly.

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, LA BELLA Promiscuity

Jumping the shade.
That shadow that tortures me.
That shadow that torments me.
That shadow that consumes me.
What do you want that shadow?
Cocaine
Screams,
Animals,
Blood
Alcohol,
Dolores.

Anita Berber, Poems.

Anita Berber hooked for life, as well as being promiscuous, cocaine addict, a dancer, an icon of expression and synthesis of the decadence of Weimar, was a poet. A star of the period between the wars that obsessed Germany. In the limit of his strength to risk defying dance, revolutionizing their art, dancing naked in nightclubs and making scandals, throwing the empty champagne bottles critics, fell in love with men and women. To have the energy that nature denied plunged into mountains of cocaine and danced dressed as a man or corsert wire and a bare chest. In the portrait painted by Otto Dix that he is dressed in red on red, thin, with pale face makeup, eye shadows in deep, outlined in black, glassy eyes and red hair. Long fingernails are a trickle of blood around them, cocaine is placed on your nails, a hand is resting on the hip and the other on the round belly, is close to her pussy. Look to the side, inside your fitted dress with a long neck. To separate the background, Dix surrounding a red and yellow light which gives it an aura. The red dress and the background of the painting predict the death of Anita suffering from tuberculosis after a tour of the spree clubs and cabarets of the Middle East. Fire and self-sacrificing. Dix's portrait painted in 1925 and Anita died in 1928 at age 28. Oil and tempera on wood, is the best portraits of Dix and the representation of a creative era, and excessive worldly crushed Nazism.

need not make an effort to imagine the pace of life that must have led Anita for 25 years that had the look it gives Dix in the picture, looks much older, is gaunt, with lines that deepen depletion, glassy eyes betray the operation that made her body. Salome played with an adaptation of the Opera Strauss decided a different perspective, violence placed the daughter of Herodias in her pussy in that part that connects to two legs like marble columns blue streaked through the veins, "where the thighs are like beams that are ecstatic about the terrible sex shameless balcony, "writes Mel Gordon. This voracious sex asked the prophet's head, danced with a vial full of blood and slowly walked over to smell it, it stops and closes her eyes paralyzed in an orgasm. The condemnation of lust. The audience cheered and demanded more and more. His shows were the essence of Germany in the 20's. Tightly choreographed bisexual sadomasochistic were carried to its conclusion, the issues were an excuse to exploit the dark depths of their violent impulses pagan ceremonies turned into pleasure. It was just three years older than Leni Berber Reinfestahl but was already a fixture in the arts in Germany, was the Madonna of the dance, their fans were beaten for entering shows, was a fashion authority who imposed his style dress and to live up to the limit. Leni Reinfestahl was obsessed with Anita and went on to imitate, reaching the brink of insanity on the Berber was going to present at the dance school where he studied Leni. But one of his many drunken, Anita did not attend the commitment, then Leni, opportunistic since young, was launched to replace it on stage, imitating with a total lack of talent for dance, the desire to be famous patient brought her to be the beauty of the film of Nazism.

"A garden full of orchids, I love intensely, for me are like women and boys who kiss and taste from beginning to end, and die on my lips red." Anita Berber, Poems.

Anita expected to arrive when his performance sitting in a chair, naked, covered with a light coat and your pet, changuito aside. In those years, the dance is divided between popular demonstrations the Berlin cabarets crammed homosexuals, lesbians, intellectuals and a generation hungry for live experiences. The tango and fox trot lived with the ballet boom of the Russian ballet artists like Nijisky had broken with the fees established and created fiercely sensual and provocative choreography. Isadora Duncan The American threw away the shoes and grand jetted to dance barefoot, covered in veils and robes Greek style. The dance was a bacchanal, transform one of the most rigid discipline and slave, changed the physical pain of a workout full of sacrifices and exorcised with wild hedonism. Berber absorbed these influences, who studied with Jaques-Dalcroze and his method of improvisation through movement, a proposal that the pace was something organic and natural, the emotion involved in musical expression, this is what Anita resulting in bodily emotion. Later studied in Berlin Rita Sacchetto, muse and lover of Gustav Klimt, film actress and creator of tableaux vivants paintings based on Gainsborough and Joshua Reynolds. Anita created this theatrical sexual style in the squalor of their experiences and society were rampant living themes. In 1919 in Berlin mounted his choreographing Heliogabalus, a piece inspired by the erotic bisexual, based on the novel by Louis Couperus The Mountain of Light, about the passions in the Roman Empire. Anita played the Emperor Heliogábulas, a mixture of Caligula and Messalina, two young Moroccan made scene changes. Berber kept the mistake of being a woman and play a man to drive seduce audience saw dancers and as a priest who demands sacrifice lives for the sun to keep shining. The pleasure is masochistic.

This promiscuity involved with the a body became a tool and a lab, and caused the audience felt at times was violent, beat their partners and other torment was left without losing the staging of the choreography. Was made in different poses nude photographs of his ballets and circulated in the market as the posters of a star. Addiction is not a lover, is a tyrant, Anita was addicted to need, to that sense of urgency to own and that the orillaría order to do things unimaginable. That appetite led to her death. Addiction is an urgent order.

Published in the Journal Antidote, http://www.revistaantidoto.com/pintura.php?ed=13