Nero, the emperor lover of the arts, and young people docile, left in the dark of night, without guards, to seek adventures being offered dangers and pleasures, and to conceal her royal presence he dressed. In his youth party dressed as animals and contrary to their gender, had to fornicate including the emperor mixed men and women and they were males with leather phalluses, and they have allowed themselves as females. In the Greek theater masks granted under ethos or personality of the actor. The costume does not simulate exhibits. I am my mask.
Julio Galan's work is marked by what he wants us to see its nature. In the painting on Sunday Mandarin dresses as Princess Turandot, a bird of paradise has tied a noose, is his slave, his victim. Wraps its fragility in the silks of a cruel princess who sets traps to love to escape the boredom of being loved, make clothing and make a shell that does not conceal, nor away, shows that inhibition is an invitation to possession violence.
If the self is an exercise in self-observation and analysis, to portray cross-dressing is the catharsis of intimacy, self-immolation essential. Frida Kahlo dressed as a man in his truest self, sits in a chair as a formal young man poses for his girlfriend takes a memory of him. He wears a dark gray suit is too big for him, a red shirt buttoned to the neck, and hands the scissors to just cut that hair strands that we see scattered across the floor. FGM's even closer to their masculinity, to feel light-headed of men, which does not weigh hair. Frida shouts without this braid am a male.
Saturnino Self-portraits of crossing a bridge with a rapid and irreversible risk, he does not hide immense pleasure because you cross-dress, is painted with the hedonism and delivery who is admired by her lover. His paintings are love letters, are passionate delivery, without shame, shared with the one before the joy of posing and painting. Saturnino Herran Tehuana dress is one of the most successful works of Mexican painting, with bright colors, body leaning on one side so the weight balance gown ethereal space and acquire the value of an aura that surrounds the head and body, is cheeky, playful, seductive. We look with a delicate smile, challenges us sideways, with his mustache on top of a fleshy-lipped mouth. Shows one of his hands for us to verify that he is, long, steady, large. Chest plane adorned with lace and beads. Herran and sees love as a woman is beautiful, it is desirable. Bugambilias is a boy, like his Indian sexy, flexible, Dionysian, it puts on small breasts on a strong and lean torso, wrap it in a garland of flowers is a gift that squirms and looks at the sky in a spasm, is the force that gives off a body that knows how to be graceful and passionate. For Herran concealment blindness was looking at his work as the essence of Mexico, when in fact the issue is just a vehicle for resolving images in compositions meet erotic, heroic and epicurean. Their indigenous sacred rites bodies are complacent, portrayed with a master's moving and shocking, Herran delivers all his virtuosity as a draftsman and anatomist to embody the desire to clean lines, in bodies that define a single line between light and shadow. The Women's Shawl is a young Herrán wrapped in the colors of Sorolla, the composition is placed in the bank to be the red flowered shawl that define the environment. Blessed with nice dress, Saturnino's face smiles and challenges the viewer. The pleasure in idyllic surroundings of purity free from the fear of death and pain is the basic theme of the painting Herran, his self-portraits are the joy of a creator who is not afraid of ephemeral condition of sensuality, the minute they eat the eternal longing. If you already stripped the body of the gods, now saw the body of pleasure.
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