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Certainties

Today we can say with certainty that:

I am a mother of a small giant four teeth, called Salvador Antonio.

'm in love with a wonderful man, passion for history, soul singer. I

communist life.

I'ma journalist of conscience.

love jumping in the bed of my mother and together solve the world.

I like to dance.

Valley, sew and many board honor.

now write poetry and start writing children's stories.

tomaticán and I like cold beer on the balcony. Vibro

with each stroke of my love amaranth.

I am happy.

I have a bunch of wonderful friends amaranth.

write this blog as a hobby. Apps

... and I have 30 years.

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SUPERSTITION IN ART

Eko, woodcut.

The origins of superstitions is fear. Believe in miracles fantastic solutions without justification or transform reality, allows live evading responsibilities that disability or weakness are feared. Superstition relegates logic, knowledge, wisdom and whims puts metaphysical entelechies and other unsupported ideas to accommodate the irrational. The superstition is locked in hatred and paranoia of the skeptic complains that his lack of faith. For a superstition to survive, it must be clear enemies, which are those that violate their beliefs. This is true for those attending shamans instead of doctors, who put the fate of a project in the hands of a saint and the structure of thought in contemporary art, artists and curators.

living art of the superstition of a set of ideas that do not support the questioning and testing and has been socially assimilated as art by habit and intellectual apathy. And cures Miracles happen by the power of suggestion, a dozen dead flies "the last" work "Gabriel Orozco, art becomes the healer's ability to believe in its tenets of faith. art rather than an idea being discussed, analyzed and walk recalling the progress and contributions that were in the past, it becomes a design and the object becomes invisible qualities as the eye could have a charm . Thus, as the cult members, all who believe in this dogma become willfully blind to reality and say that this object, "a mattress coils, a bag tied to a rope, beer cans bent, has virtues extraordinary they deserve admiration and respect.

unreasoning belief in an idea is bigotry, religion is anathema to the big question and the need to see these pieces is never questioned, only believe them, admire them. The question, which is the beginning to end ignorance and the first step of science, breaks down his ideas, then doubt is of infidels and heretics and deserve to be pursued. Also doubtful is ignorant, is due to the lack of training, because in this art, as in the religions and sects, all the official truth is contained in each work and that should suffice for the viewer. Mentally faithful subject need not intelligent public. In the miraculous cures are common if the patient has no improvement, not the fault of charlatan posing as a doctor, or the quack remedies that supply the sick, the lack of recovery is because the patient does not have faith, does not believe in treatment. If we go to the museum or gallery and not see the exhibit, a mobile made with cotton balls and a few mirrors, "" meditation and aura of the encounter of different alien landscapes that change with the simple factor of the movement "is not charlatan artist's responsibility and not that the rhetoric of counter-curator does not work is because of our prejudices and lack of faith that does not allow us to partake of the miraculous transformation of a broken mirrors in a metaphysical landscape. What is needed is to believe to see. Here the phrase from Tomas in the biblical story is confirmed as incorrect, because for the artistic phenomenon to happen we must believe before then we can witness the miracle. Believing that everything is art, believe that the supreme priest or healer has extraordinary powers and that the artist can turn water into wine. Superstitions make reality irrelevant because their explanations of the facts are more important than the fact itself. The creation myths of the world are absurd and unscientific, but its importance is that they are an idea that undermines a fact of reality, to reconsider under a favorable view of the power of sect. In a work situation is equally contemporary religious phenomena, the least is the work, it is transcendental meanings and explanations of the curator and artist, and the weight of these inventions have in their set of beliefs. To operate the powers of religious relics and amulets that have the ability to change the destiny of the believer, the first thing is to appreciate that not what we see, that are more than just not seen in nature.

So if, as happened with the scientific evidence, the bones of Joan of Arc turn out to be a cat, is irrelevant, for the fans are a saint and should be worship. Worshipers of objects of contemporary art are revered to some sheets soiled with blood, hair and food waste framed, because being an artist that causes nature undergoes a change equal to the transubstantiation, making art. No justification, no intellectual support, only the power of faith. The art is no longer intelligent, is a fanatical superstition, a show that is held in dogmas and is based on the legitimate institutions, humiliating the light of reason. The history of fanaticism is that of barbarism, hate the other, the denial of wisdom. By throwing the art to superstition are launching humanity into a setback dangerous and fatal. This goes beyond rhetorical whim, is to discard the path that brought us out of a primitive and ignorant. In the name of dogma have sabotaged the passions, art, beauty and intelligence are our energy and essential elements for further development.

Published in the Journal Replicant.

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Following recycling did to my puppy these pants to navigate by cool and comfortable life.

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The eye is the lamp of the body. Matthew, VI, 22.

orgasm and mystical enlightenment defined with the same word: Ecstasy. For the two states need the absolute surrender to the Other and oneself. It is the ultimate union of body and mind, the total docility of a moment that carries into a state of glory and fulfillment. Escape from the body and find the lighting that gives the pleasure, before being part of the legend of the saints was a Dionysian practice. The mediums to communicate with the oracle and translate their designs came in a state of trance or delirium. From these ancient cultures in contact with the divine is linked to pleasure, a state can not control our bodily sensations and let them shake freely without guidance of reason. The challenge was to represent the artists immense pleasure without the revelation of nudity, because the saints, in their capacity as such and purity, denied physical contact with another being. Them to achieve happiness and fulfillment in the mystical relationship with a divine being higher at the end is like a body and worldly experience, different paths lead to the same destination: the orgasm. In art history there are two ecstasy or superhuman beauty orgasms, Santa Teresa by Bernini and St. Francis of Assisi by Bellini.

The Ecstasy of St. Teresa , Bernini made it a tough time in his career, and was no longer the great favorite of the Vatican court. Pope Innocent X decided that was frowned upon to be spent on major works so introduced an austerity plan that affected Bernini, to the extent that serious difficulties had to be paid arrears of the previous commission potato. The Ecstasy of St. Teresa was commissioned by the Venetian Cardinal Federico Cornaro, to adorn his grave in a humble church-within the magnificent Vatican standards of the Order of Discalced Carmelites. Santa Teresa, which belongs to this order, had recently been canonized. What makes dazzling sculpture is that Bernini took all his maturity and virtuosity as an artist to create the orgasm beautiful Baroque history and perhaps the art. Mortification and deprivation of Teresa, the anguish of fasting and penance bring the desired reward, the ultimate consummation. Santa Teresa's face is transfixed with pleasure, delivered to the office, is open lips sighing release that springs from the heart, eyes closed, head in total abandonment of the will is tilted back, while a Angel, a delicious and promiscuous teenager up an arrow with a leer and directs it to the holy hell with the intention of pointing the center of pleasure, let us see that there on that site is the true devotion and delivery of pure body of Teresa of Jesus. The angel is going to penetrate with the arrow, will lead to fainting, unconsciousness, to madness and to achieve Berinini splendid carved with a delicacy, an opening between the folds of her habit marble, shows the holy virgin vagina and deep, showing the entrance to the most sacred of his being. From the roof down the golden light of the sun's rays enter through a perforated dome and hides behind the scenes in which the sculpture is placed. This wonderful possession is a carved marble rock gently to dementia and detail, creating a whole from afar can be seen as an orgy, a symphony that explodes in a flash. The storm of light emanates as Teresa fluids.

The Ecstasy of San Francisco of Assisi Bellini, unlike Teresa is the time of possession, is the instant of the loving. This work is exceptional Renaissance into the path of Bellini, who specialized in religious subjects. Here the artist lets out what this delivers unlimited and as Francisco waiting in solitude. Cover is the refuge of pleasure, who want to enjoy the world away. In painting see how the saint lives in a hermitage in the distance, the landscape, is the city, he sought the pleasure away from distractions that could distorting it. Out to meet him and get looking at the sky, his chest led to the top, claiming that wants to be penetrated in the center of his heart, the exit-face, eyes almost white Francisco to see what those eyes? What is shown hallucination? Is on the verge of fainting, mouth ajar of escaping a death rattle, a cry in that solitude no witnesses. The extended arms shows the scars of the hands are injured, are holes, are indications of penetration, the physical map of the place of pleasure deeper pleasure without limits is not known consequences. Poverty is poverty Francisco end of nudity in this austerity does not need to take off their clothes, we know who has surrendered completely, which in this orgy he is possessed, one who lends to tame the domain of the Other and available that takes you to the fullest happiness. This relentless austerity is the gateway to happiness, hardships imposed delivery make a banquet unspeakable, asceticism incites lust. The art work painted with the Bellini brothers, who invented the oil painting is a vertical composition, rocks, background buildings, furniture and position of the saint looks at the sky, it's an almost phallic. The detail of each place, the recreation of a wild nature, creates an intimate setting that makes us voyeurs in the delivery intruders poor but beautiful solitude of nature. The sky is blue that no one could Bellini and populated as a light clouds in the distance that direct light penetrating the chest in the center of the humble habit of the saint. The scenery is marvelous, but the real miracle is the landscape of pleasure Francisco, dedication and willingness to be taken, used, taken to a place they can never return.

Published in the Journal Antidote

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A bit of Los Andes

Here is this beautiful song in stop motion animated children on an alpaca, animal typical of the Cordillera de Los Andes in Chile.

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Salvador Recycling for Kangaroos

An old skirt of mine became a comfortable trousers Salvador. Taking as a guide cut pants Salva and hand stitched. Also I added a cute little lion to entertain the matter.

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ECSTASY secret settings. ARTURO RIVERA.

We tell our story through seduction and murder, bodies possessed or destroyed. We are a chain of beings who fall in love, attack, seeking to eternity or death. The experience has Arturo Rivera with the human body is visceral, his eye is surgery to recreate in paint dry bones and veins severed, is closely related with the colors of the muscles when they go into rigor mortis, deformities caused by impacts or genetic disorders. Dissects the madness and obsession of the body that gives pleasure, that is delivered. Locate these presences in a geometric composition, balanced, putting an intuitive order in the mind of the observer, makes an altar that perpetuates ritual worships pleasure and sacrifice.

The tragedy of the image is devoured and reinvented, the pain that involves a severed hand, with dirty fingernails, fingers and skin made withdrawals, a synthesis of our ephemeral condition. Rivera's painting unknown investigates human nature, stripped of imaginary dark veils to present it as your eyes see and the understood, leaving us wounded and seduced. Your pleasure is cruel, it encourages the body to idealize love or torture, use the same expertise and fascination for a mosquito caught in a stone, to paint the pussy of a young man who is displayed with black stockings and challenges us to a thin rod behind the waist, ready to flagellum, a whip who believe that open legs bear no risks.

Rivera makes reality a new possibility, the body evolves into an investigation of the inert futility of our essence, while the peace of a female profile is the opportunity to find the sublimation before we shook the edentulous skulls. The antagonistic presence of serenity and madness are the warning of the pitfalls into which we fall when overvalued our existence. Rivera's eye for the vanity of a woman who is seen in a small mirror, which just takes you back a piece of his face, that scene seductive and shameless flirtation, is the eve of uncontrolled hysteria gnawing human bones and embarks in a small boat to sail the River Styx.

Faced with the extraordinary presence of horrific images, we are upset because the creation of beauty lies in the artist. Then the beauty is the invention of intelligence. What is the paint if not to dazzle? Why look at a painting unless it is to look at ourselves? Rivera knows this and creates a universe that predicts delirium becomes emancipated and their images. The art requires generosity, all the talent demand that is poured into each piece, the artist does not let ideas or actions pending. Art is a moment that decision before he leaves. Arturo Rivera painting haunts us, knows that time is their only chance is to work full spares no resources, wisdom and devotion to the canvas. In the insurance domain technique, pigments used formulas are the result of numerous tests and experiments, the colors are dramatic, deep, give credence to the skin, sweat, blood, the reflection of light.

We are addicted to images, the need to identify, learn, know, when an artist invents a picture gives us something that will feed our memory, has paths before had not traveled. Decides to see the artist assumes the risk and endorses the work, assimilated to become part of their history. The presence of Vulcan sorry, its long shouting, throat singing vacuum, with a red turban wrapped her anguish and despair, contrasts with the delicacy of a woman with a grenade and opened a branch in fragile hands, her breasts pressed into a richly embroidered corsette, skin glowing, refreshed. The appetite to see and to possess are insatiable. Rivera forces us to fight a battle among the images that hypnotize us for the pain and show that seduce us for offering carnal. In all perverts us as witnesses.

Arturo Rivera, secret settings. Mexican Contemporary Art Gallery, Monterrey Nuevo León.

Millennium Maze Posted in Journal on Saturday, November 6, 2010.

Occupational Soap Notes

Huachurri With my charge and to behave in these shawls Bolivian Salvador, we love to have it close, and return to the womb, rocking, feel his warmth and give ours. Mom and Dad behave alike.

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Massage Shantala

Every night after his bath, get your massage Shantala Salvador, sometimes I do, other days the father. It relaxes and lets him happy, ready to sleep peacefully.

Shantala Massage is a technique that ancient India discovered an Englishman when he walked by and saw Calcutta Sahntala Gopal massaging your child. Shantala video here:

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kimono style shirt Snapshots of my Jedi

A lovingly hand stitched him this little shirt kimono Salvador type, perfect for spring evenings that are already doing in Santiago.

I made a plea for Yoda because we love.